The Walking Dead Vol. 4: The Heart’s Desire
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Product Description
Life in the prison starts to get appealing for Rick Grimes and the rest of our survivors. Relationships heat up, fizzle out, and change entirely nearly overnight. By the end of this volume, relationships between key characters are radically changed, setting the stage for future events in TheWalking Dead.
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IF YOUR LOOKING FOR A GREAT GEORGE ROMERO TYPE ZOMBIE STORY KEEP ON LOOKING.THIS CLOWN WHO WRITES THIS STUFF HAS THE CHARACTERS IN THE STORY JUMPING IN AND OUT OF BED WITH EACH OTHER MORE THEN FIGHTING ZOMBIES.I BOUGHT THE FIRST 4 ISSUES ALL TOGETHER THINKING IT WOULD BE GREAT.BOY WAS I WRONG.BORING STORY,LAME BATTLES WITH ZOMBIES,TO MUCH SEX.RENT DAWN OF THE DEAD INSTEAD OF BUYING THIS GARBAGE.not excellent at all.
Reader’s Rating: 1 / 5
I like this comic and the dead quadrilogy Night, Dawn, Day, Land. Specifically because in all these versions of the zombie mythos you do not have to be bitten to become a zombie all you have to do is die, getting bitten only speeds up your inevitable death. When I see in films that people only become zombies when bitten I get a bit ticked off, in Romero’s verse (which I prefer) all that is required is death. Anyway additional than his films these comics are my favorite zombie tales.
Reader’s Rating: 5 / 5
At best, “The Walking Dead” is a mediocre comic with terrible moments and excellent moments written by a less-than-competent writer and pencilled by an artist whose panels range from excellent to pretty terrible. At worst, it’s a piece of sexist trash trying to pass for an epic, character-driven series. Which do I reflect it is? Recently, I’m leaning towards the latter, but I reflect the overall series is somewhere in-between.
“The Heart’s Desire,” the fourth volume of this series, has a better tale than the previous installment. The dialogue remains horrible, sinking the majority of the characters to one-dimension exposition machines, but at least there was some promising bits of tale. There’s a new–and possibly crazy–woman who arrives and stirs up some muck between some characters, Rick is pushed to make a pretty rough choice early on (which has some backlash), and the ‘mythology’ of this zombie-infested world and how the infection works is explored a small bit. It was permanently–as usual–very simple to place down, which really isn’t a excellent sign, but there was less stuff to get frustrated over. It really seemed as if Kirkman had chose to stop giving every single issue an archaic and sexist spin…
…until the final issue included in this volume.
In the final issue, (don’t worry, this isn’t a spoiler) the team decides to form a committee of four people who will make all the decisions. All four people are men. That bugged me, but I thought Kirkman was about to save himself and make a statement AGAINST prejudice (which has been a HUGE issue in the series so far) when a character says, “No women?” But how does Kirkman justify this choice? The women didn’t want to be involved in the choice building. They just want to be protected. I don’t know what era this man thinks he’s living in, but things don’t work that way. He’s trying to make a statement that if the world was taken over by flesh-eating monsters, that men would assume the role of the “choice makers” and that women would simply knit and watch the children, as the women of “The Walking Dead” do.
Not only will this bother women who read this, it will bother anyone who has a problem with prejudice. Period. At this point, I’m not even sure if I can continue reading this.
4/10
Reader’s Rating: 2 / 5
The authors are obviously new to the apocalyptic genre. They don’t appear to have much grounding in tactics or weapons. I establish it mildly entertaining, but they should do some more research to make their tale richer in detail.
Reader’s Rating: 3 / 5
Excellant graphics and tale. The only problem is that they are so slow in coming. But they are worth the wait.
Reader’s Rating: 5 / 5