The Souls of Black Folk

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The Souls of Black Folk

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This 100th Anniversary edition of Du Bois’s most widely read book offers significant updates and advantages over all additional editions of this classic of African American history. A new Introduction by Manning Marable, Du Bois biographer and eminent historian, puts The Souls of Black Folk into context for 21st Century readers and recounts Du Bois’s life-long relationship with his text, which Du Bois nonstop to rework over many decades. A rarely seen 1953 Re-Introduction by Du Bois is included in this edition, as are the many corrections and changes Du Bois made to the original text during this era. Finally, an explication of the Du Bois text in the new Foreword by Charles Lemert helps the reader better know the book’s past and current weight.Amazon.com Review
William Edward Burghardt Du Bois (1868-1963) is the greatest of African American intellectuals–a sociologist, historian, novelist, and liberal whose astounding career spanned the nation’s history from Reconstruction to the civil rights movement. Born in Massachusetts and educated at Fisk, Harvard, and the University of Berlin, Du Bois penned his epochal masterpiece, The Souls of Black Folk, in 1903. It remains his most studied and well loved work; its insights into Negro life at the turn of the 20th century still ring right.

With a dash of the Victorian and Enlightenment influences that peppered his impassioned yet proper prose, the book’s largely autobiographical chapters take the reader through the momentous and temperamental maze of Afro-American life after the Emancipation Proclamation: from poverty, the neoslavery of the sharecropper, illiteracy, miseducation, and lynching, to the heights of humanity reached by the spiritual “sorrow songs” that birthed gospel and the blues. The most memorable passages are contained in “On Booker T. Washington and Others,” where Du Bois criticizes his legendary contemporary’s rejection of privileged education and accommodationist stance toward white racism: “Mr. Washington’s programme practically accepts the alleged inferiority of the Negro races,” he writes, further complaining that Washington’s thinking “withdraws many of the high demands of Negroes as men and American citizens.” The capstone of The Souls of Black Folk, though, is Du Bois’ haunting, eloquent description of the concept of the black psyche’s “double consciousness,” which he described as “a peculiar sensation…. One ever feels this twoness–an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose persistent might alone keeps it from being torn asunder.” Thanks to W.E.B. Du Bois’ commitment and foresight–and the intellectual excellence expressed in this timeless literary gem–black Americans can today look in the mirror and express joy in their gorgeous black, brown, and beige reflections. –Eugene Holley Jr.

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