The Poisonwood Bible

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The Poisonwood Bible

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The Poisonwood Bible is a tale told by the wife and four daughters of Nathan Fee, a fierce, evangelical Baptist who takes his family tree and mission to the Belgian Congo in 1959. They carry with them everything they judge they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil. What follows is a suspenseful epic of one family tree’s tragic undoing and remarkable reconstruction over the course of three decades in postcolonial Africa.

The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo’s fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Fee reconstructs the tale of her evangelist spouse’s part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the tale, by turns, are her four daughters—the self-centered, teenaged Rachel; shrewd adolescent twins Leah and Adah; and Ruth May, a prescient five-year-ancient. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father’s intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined tales become a compelling exploration of moral risk and personal responsibility.

Dancing between the dark comedy of human failings and the breathtaking possibilities of human hope, The Poisonwood Bible possesses all that has distinguished Barbara Kingsolver’s previous work, and extends this beloved writer’s vision to an entirely new level. Taking its place alongside the classic works of postcolonial literature, this ambitious novel establishes Kingsolver as one of the most thoughtful and daring of modern writers.Amazon.com Review
Oprah Book Club® Selection, June 2000: As any reader of The Mosquito Coast knows, men who drag their families to far-off climes in pursuit of an Thought seldom come to any excellent, while persons familiar with At Play in the Fields of the Lord or Kalimantaan know that the minute a missionary sets foot on the fictional stage, all hell is about to break loose. So when Barbara Kingsolver sends missionary Nathan Fee along with his wife and four daughters off to Africa in The Poisonwood Bible, you can be sure that salvation is the one thing they’re not likely to find. The year is 1959 and the place is the Belgian Congo. Nathan, a Baptist preacher, has come to spread the Word in a remote village reachable only by airplane. To say that he and his family tree are woefully unprepared would be an understatement: “We came from Bethlehem, Georgia, impact Betty Crocker cake mixes into the jungle,” says Leah, one of Nathan’s daughters. But of course it isn’t long before they learn that the tremendous damp has rendered the mixes unusable, their clothes are unbefitting, and they’ve arrived in the middle of political disruption as the Congolese seek to wrest independence from Belgium. In addition to poisonous snakes, treacherous animals, and the lack of sympathy of the villagers to Nathan’s fiery take-no-prisoners brand of Christianity, there are also rebels in the jungle and the threat of war in the air. Could things get any worse?

In fact they can and they do. The first part of The Poisonwood Bible revolves around Nathan’s unyielding, bullying personality and his effect on both his family tree and the village they have come to. As political instability grows in the Congo, so does the local witch doctor’s animus toward the Prices, and both seem to converge with tragic consequences about middle through the novel. From that point on, the family tree is dispersed and the novel follows each member’s chance across a span of more than 30 years.

The Poisonwood Bible is arguably Barbara Kingsolver’s most ambitious work, and it reveals both her fantastic strengths and her weaknesses. As Nathan Fee’s wife and daughters tell their tales in alternating chapters, Kingsolver does a excellent job of differentiating the voices. But at times they can grate–teenage Rachel’s trend towards precious malapropisms is particularly annoying (students practice their “French congregations”; Nathan’s refusal to take his family tree home is a “tapestry of justice”). More problematic is Kingsolver’s trend to wear her politics on her sleeve; this is particularly evident in the second half of the novel, in which she uses her characters as mouthpieces to explicate the intricate and tragic history of the Belgian Congo.

Despite these weaknesses, Kingsolver’s fully realized, three-dimensional characters make The Poisonwood Bible compelling, especially in the first half, when Nathan Fee is still at the center of the action. And in her treatment of Africa and the Africans she is at her best, exhibiting the acute perception, moral engagement, and lyrical prose that have made her previous novels so successful. –Alix Wilber

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