The Photographer’s Eye: Composition and Design for Better Digital Photos
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- ISBN13: 9780240809342
- Condition: NEW
- Notes: Brand New from Publisher. No Remainder Mark.
Product Description
Design is the single most vital factor in making a successful photograph. The ability to see the potential for a strong picture and then organize the graphic fundamentals into an effective, compelling composition has permanently been one of the key skills in building photographs.
Digital photography has brought a new, exciting aspect to design – first because the instant feedback from a digital camera allows immediate appraisal and improvement; and second because image-editing tools make it possible to alter and enhance the design after the shutter has been pushed. This has had a profound effect on the way digital photographers take pictures.
The Photographer’s Eye shows how anyone can renovate the ability to see and shoot fantastic digital photographs. The book explores all the traditional approaches to composition and design, but crucially, it also addresses the new digital technique of shooting in the knowledge that a picture will later be edited, manipulated, or montaged to result in a final image that may be very different from the one seen in the viewfinder.
Features
*Covers both traditional in-camera composition and the new opportunities for picture-building made possible by digital imaging editing
*Shows how to explore situations and locations in order to find the best possible photographic possibilities
*Uses clear examples from real photographic assignments, with schematic illustrations of how and why the pictures work
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Excellent pictures but waste of my money.
I bought this book because I wanted to find a book which clarifies the thought process when taking pictures and to know why certain pictures are composed in a certain way. I as a replacement for got a useless technical manual.
Here’s why:
Excellent points:
(1) The pictures in this book are very very excellent.
(2) Nice paperweight.
Terrible points:
(1) For a book which talks about a subjective topic like photo composition, I find this book is very very very hard to read.
The leader may be a excellent photographer but the leader tends to over-complicate the concepts. It is like reading a technical manual. The leader also introduces a lot of made-up “technical” jargons. There are some sentences where I have to read it several times and I still don’t know.
(2) The pictures in this book does not contain information on the settings like ISO, shutter speed, etc… The leader clarifies how he composed the shot, but does not clarify why he chose to use this aperture or shutter speed.
(3) The topics are not logically organized or does not make sense. Just looking at the table of contents just gives me a headache.
Save your money and buy something else. I learned more helpful photographic advise from the following books:
“Understanding Exposure” by Bryan Peterson
“Lighting Photo Workshop” by Chris Bucher
Reader’s Rating: 2 / 5
I really don’t know what the contents of this book are, though we can probably assume they are rooted in sound technical advice, and perhaps some excellent aesthetic tips.
That said, as a photographer myself, I am not inclined to buy this book, agreed its take in.
The photo on the take in is made simply by the shopworn and hackneyed practice of photographing a crowd of Third World women dressed in colorful garb.
Let us assume, then, that these people were dressed in workaday jeans and nondescript shirts. This brings us to the $64,000 question: Would the picture be anywhere nearly as appealing?
The answer to that question depends upon your artistic premises, but here’s a clue: The reason Weegee is a superior photographer to Steve McCurry is because Weegee takes the commonplace and transient and elevates it to something deeply moving and gorgeous. Steve McCurry finds “exotic” looking Third Worlders and photographs them for the smug satisfaction and edification of Western liberals.
If you really want to become a fantastic photographer of people, do this: Dress (and smell) like a homeless person in the subways of New York, armed with a couple dozen disposable cameras. You’re already alienating people anyways with your grime and crazy demeanor, thus you can truly catch people unawares and off-guard.
Everything else is showing off.
Reader’s Rating: 5 / 5
Sorry to say, as with all art, this has been done before. What contemporary artists must do is make that clichéd art his own. Michael Freeman tries to do that here in his book but fails to make the comparison. Yes, his pictures are pretty but the depth of this tome is reasonably shallow. I get the feeling he is bored with his theme–during persons moments he quickly refers back to his previous book on Light & Lighting. There is no new information here that cannot be establish in the following links. The Photographer’s Eye by John Szarkowski,Charles H. Traub’s The Education of a Photographer, and The Fundamentals of Drawing by John Ruskin. If you want the real McCoy, buy John Szarkowski’s tome by the same name. Hmmm…Perhaps we should look for new and refreshing material as a replacement for of trying to expand titles of previously published works. Nice try but done before…
Reader’s Rating: 2 / 5
It was to basic for me, common knowledge. Most of it was similar to what I learned in intro to art. Didn’t help me make better compositions.
Reader’s Rating: 3 / 5
Pocos libros abarcan tanto en el tema de composición, y dejan el aspecto de la libertad como parte esencial del libro..
Recomiendo su compra, leerlo y aplicarlo paso a paso..
Suerte
Reader’s Rating: 4 / 5