Stieg Larsson’s Millennium Trilogy Bundle: The Girl with the Dragon Tattoo, The Girl Who Played with Fire, The Girl Who Kicked the Hornet’s Nest
Where to buy Stieg Larsson’s Millennium Trilogy Bundle: The Girl with the Dragon Tattoo, The Girl Who Played with Fire, The Girl Who Kicked the Hornet’s Nest books online?
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Stieg Larsson’s Millennium Trilogy is now available in a perfect hardcover set.
All across America, readers are talking about Stieg Larsson’s best-selling novels, set in Sweden and featuring Lisbeth Salander—“one of the most original and memorable heroines to surface in a recent thriller” (The New York Times). The trilogy is an international sensation that will grab you and keep you “reading with eyes wide open” (San Francisco Chronicle). “[It] is intricately plotted, lavishly detailed but written with a breakneck pace and verve” (The Independent, U.K.), but “be warned: the trilogy is seriously addictive.” (The Guardian, U.K.).
“Judge the hype . . . It’s gripping stuff.”
—People
“Stieg Larsson clearly loved his courageous misfit Lisbeth. And so will you.”
—USA Today
“Larsson has bottled lightning.”
—Los Angeles Times
The Girl with the Dragon Tattoo
Harriet Vanger, a scion of one of Sweden’s wealthiest families disappeared lacking a trace more than forty years ago. All these years later, her aged uncle continues to try to learn what happened to her. He hires Mikael Blomkvist, a journalist recently sidelined by a libel conviction, to investigate. Blomkvist is aided by the pierced and tattooed computer sensation Lisbeth Salander. Together they tap into a vein of incomprehensible iniquity and astonishing corruption on their way to learning the truth of Harriet Vanger’s fate.
The Girl Who Played with Fire
Mikael Blomkvist, now the crusading publisher of the magazine Millennium, has chose to run a tale that will expose an wide sex trafficking operation. On the eve of its publication, the two reporters reliable for the article are murdered, and the fingerprints establish on the murder weapon belong to his friend Lisbeth Salander. Blomkvist, convinced of Salander’s innocence, plunges into an investigation of the murders. Meanwhile, Salander herself is drawn into a murderous game of cat and mouse, which forces her to face her dark past.
The Girl Who Kicked the Hornet’s Nest
Lisbeth Salander lies in critical condition, a bullet wound to her head, in the intensive care unit of a Swedish city hospital. She’s fighting for her life in more ways than one: if and when she recovers, she’ll be taken back to Stockholm to stand examination for three murders. With the help of Mikael Blomkvist, she will not only have to prove her innocence, but also identify and denounce persons in power who have allowed the vulnerable, like herself, to suffer abuse and violence. On her own, she will plot revenge—against the man who tried to kill her, and against the corrupt government institutions that very nearly ruined her life.
“Unique and fascinating . . . Like a blast of cold, fresh air.”—Chicago Tribune
“Wildly suspenseful . . . Intelligent, ingeniously plotted, utterly engrossing.”
—The Washington Post
“A gripping, stay-up-all-night read.”—Entertainment Weekly
“Dynamite.”—Variety
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The Girl with the Dragon Tattoo Stieg Larsson’s Millennium Trilogy Bundle: The Girl with the Dragon Tattoo, The Girl Who Played with Fire, The Girl Who Kicked the Hornet’s Nest is the groundbreaking introduction to the atypical and edgy world of Lisbeth Salander, a brilliant 20-something computer hacker, algebraic genius, and fearless force of ethical mayhem.
Salander manifests her skills while undermining a broken-down and corrupt Swedish system which repeatedly sucker-punched both Salander and persons she loved, leaving her defenseless. The take-no-prisoners avalanche of Salander’s payback catapults Stieg Larsson’s series into a majestic and non-linear reading experience.
Additional reviewers have covered the storylines of the Salander book trio, but the characterization of Salander is what really breaks the mold of traditional IT intrigue. Reflect the intellectual edge of Umberto Eco Foucault’s Pendulum, the dynamic sensibilities of rocker Pink I’m Not Dead (Platinum Edition), and the tech savvy of Daniel Suarez Daemon, for some sense of where this stark and unpredictable ride will take you. The first book is tough-going in the level of Swedish political detail, but by the third book you will mourn the untimely loss of Larsson, who died of a massive heart attack in November of 2004.
In the series the intimacy-shy Salander forms a hesitant partnership with Mikael Blomkvist, an idealistic investigative journalist for Millenium, a news magazine which he co-founded. Blomkvist is sued and eventually exonerated over allegations sited in an international conspiracy article which he authored.
Larsson, coincidentally, founded a news magazine entitled Expo and had been subjected to ongoing death threats for exposing European Neo-Nazi’s and white supremacists via his Scandinavian magazine. It was rumored that his death was in some way revenge for his political reporting.
Some of these core themes are natural fiber into the fabric of Larsson’s astonishing trilogy. The Swedish movie version of the first novel The Girl With the Dragon Tattoo is honestly accurate, but the book still holds the key to the visceral Salander. Don’t miss it.
Reader’s Rating: 5 / 5
Amazon, please clarify why I should pay nearly $48 for Larsson’s trilogy bundle (hardcovers, uncased) when I can order them separately from you for about $43?
Reader’s Rating: 1 / 5
I just received my Stieg Larsson Millennium Trilogy set from Amazon and I have to say I am reasonably disappointed. I really was expecting all 3 hardcovers enclosed in a nice slipcase but they arrived shrinkwrapped in plastic, no slipcase! I know the ad did not mention anything about a slipcase but when you buy a hardcover collection like this they USUALLY come in a nice slipcase. So for anyone who already own the first two books I have to say you don’t need this set of all 3 books, unless you want them all in hardcover…
Reader’s Rating: 4 / 5
Like millions of people worldwide, I was absolutely captivated by these three books and their weird and utterly unconventional anti-heroine, Lisbeth Salander. That Larsson manages to evoke such sympathy for her, despite her anti-social scenery and penchant for violence, is reasonably remarkable. Of course, we might feel differently if not for the monumental injustices she has suffered at the hands of a few corrupt individuals. She is a victim who has responded to her situation by apt an outsider.
The tale is certainly an intricate one, but Larsson manages to lead us through the maze lacking losing us along the way. In fact, one of the joys of the books is gradually realising that there are yet more levels of complexity to get your head around.
Thrilling as the storyline is, the thing I establish most appealing about it was the moral dimension. Corruption in business and in government and the abuse of women are major themes, and Larsson’s position on them is crystal clear. But, both Salander herself and the crusading journalist Blomqvist also act outside the law. This gives a certain moral ambiguity to the tale. In Salander’s case, her illegal acts take place within her own moral code – a code that is internally consistent but at odds with what we would ordinarily consider to be acceptable. In Blomqvist’s case, his acts (including turning a blind eye to Salander’s computer crimes) are informed by a desire to expose corruption and to achieve justice for Salander.
So, agreed Salander’s understandable antipathy towards the society that has treated her so appallingly, and Blomqvist’s laudable social justice objectives, is their own behaviour morally acceptable? Do the ends justify the means? Are the circumstances so extreme that ordinary moral opinion don’t apply? These are the questions that remained with me after I’d finished the final book, and still remain.
Ultimately, this is what makes the Millennium Trilogy something more than your average crime thriller and worth investing the time and mental energy to read.
Reader’s Rating: 5 / 5
Authors who are only published posthumously rarely get the attention they deserve, or any attention at all. Fortunately, such is not the case with the late Stieg Larsson’s bestselling Millennium trilogy — it starts off slow, and soon winds itself into a forceful knot of tautly-written thriller and mystery fundamentals. It’s raw, bleak, intensely disturbing noir.
In “The Girl With The Dragon Tattoo,” take-no-prisoners journalist Mikael Blomkvist has just lost his reputation, his savings and his freedom (hello, jail sentence!) after a grave libel suit from an executive named Wennerström.
Then he’s unexpectedly contacted by aged industrialist Henrik Vanger, to learn what happened to the guy’s grandniece. He’s offering evidence on Wennerström, so Mikael has no choice but to accept — and as he investigates the sinister Vanger family tree, he joins forces with Lisbeth Salander, an eccentric, abused computer hacker. And as Mikael unearths the clues to Harriet’s disappearance, he also finds some skeletons long kept buried.
“The Girl Who Played With Fire” finds Mikael investigating sex trafficking in his own country, and young girls who are sold into it. Unknown to him, Lisbeth is keeping very close tabs on his work — especially since she was abused as a child, and now plots revenge on the sex traffickers. But when she’s accused of murder and ends up on the run, Mikael must learn what lies at the core of these crimes…
And finally, “The Girl Who Kicked The Hornets’ Nest” takes place directly after the second book. Lisbeth has been shot in the head, her malevolent father Zalachenko is in the same hospital claiming that she tried to kill him, and some grave government forces want her locked away, as she was as a child. Her only hope lies in Mikael, who must unravel a government conspiracy formed around the young hacker…
Larsson’s books are a unique blend of ancient and new — he takes the usual mystery/thriller tropes (locked room mystery, government conspiracies) and enfolds it in a ruthless, blistering look at modern Swedish society and sexual aggression. It’s a dark, treacherous, unfair world where the truth is quashed, powerful forces conspire against individuals, and women are treated horribly — usually shown via the eccentric, punky “girl with the dragon tattoo.”
His prose is rather bleak and regularly reasonably stark, and a certain brand of understated passion shines through — the kind that feels the need to prompt itself even though it takes place in fiction. And while most of the first book focuses in Mikael, in the second and third Larssen’s style splits in half — one half is the more staid, ordinary perspective of Mikael and others, and the additional half is the wild nihilism of Lisbeth (“If death was the black emptiness from which she had just woken up, then death was nothing to worry about. She would hardly notice the difference”).
Mikael and Salander make an intriguing odd couple. He starts world-weary and demoralized that he seems to care about nothing, but regains his passion for the truth; the only downside is that he’s a bit Marty Stuish, since all women seem to adore him. And Salander is a mass of hurts and quirks — she’s a vibrant, wild genius who lashes out at persons who hurt women, and has been constantly tortured by persons around her since childhood (even as an adult, she’s forced to have a officially authorized guardian).
Take your average thriller/mysteries, smother them in disillusioned, morally-bankrupt noir… and you’ll have something like the Millennium Trilogy. A hard read, but worth the journey.
Reader’s Rating: 4 / 5