Spark Notes The Little Prince
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Antoine de Saint-Exupéry first published The Small Prince in 1943, only a year before his Lockheed P-38 vanished over the Mediterranean during a reconnaissance mission. More than a half century later, this fable of like and loneliness has lost none of its power. The narrator is a downed pilot in the Sahara Desert, frantically trying to repair his wrecked plane. His efforts are interrupted one day by the apparition of a small, well, prince, who questions him to draw a sheep. “In the face of an overpowering mystery, you don’t dare disobey,” the narrator recalls. “Absurd as it seemed, a thousand miles from all inhabited regions and in danger of death, I took a scrap of paper and a pen out of my pocket.” And so starts their dialogue, which stretches the narrator’s imagination in all sorts of surprising, childlike directions.
The Small Prince describes his journey from planet to planet, each tiny world populated by a single adult. It’s a wonderfully inventive sequence, which evokes not only the fantastic fairy tales but also such monuments of postmodern whimsy as Italo Calvino’s Invisible Cities. And despite his tone of gentle bemusement, Saint-Exupéry pulls off some fine satiric touches, too. There’s the king, for example, who commands the Small Prince to function as a one-man (or one-boy) judiciary:
I have excellent reason to judge that there is an ancient rat living somewhere on my planet. I hear him at night. You could judge that ancient rat. From time to time you will condemn him to death. That way his life will depend on your justice. But you’ll pardon him each time for economy’s sake. There’s only one rat.
The leader pokes similar fun at a businessman, a geographer, and a lamplighter, all of whom signify some futile aspect of adult being. Yet his tale is ultimately a tender one–a heartfelt exposition of sadness and solitude, which never turns into Peter Pan-style treacle. Such delicacy of tone can present real headaches for a translator, and in her 1943 translation, Katherine Woods sometimes wandered off the mark, giving the text a slightly wooden or didactic accent. Happily, Richard Howard (who did a fine nip-and-tuck job on Stendhal’s The Charterhouse of Parma in 1999) has streamlined and simplified to wonderful effect. The result is a new and improved version of an indestructible classic, which also restores the original artwork to full color. “Trying to be witty,” we’re told at one point, “leads to lying, more or less.” But Saint-Exupéry’s drawings offer a handy rebuttal: they’re fresh, amusing, and like the book itself, rigorously truthful. –James Marcus
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A flop of a book. Very structurally unsound. I see what all the hullabaloo is about, I can know the symbolism, but I find it a very useless vehicle for points that had been easily made by additional sources. I find it much closer to the French than the Katherine Woods translation, having had to read both of them very recently. I will burn “The Small Prince” copies I have in my possession as soon as I possibly can.
Reader’s Rating: 1 / 5
I read this book (as an adult) since I heard it being so regularly mentioned alonside The Alchemist. The Small Prince is no where near in the same class as The Alchemist and I was sorely disappointed. This is truly a book for tiny children only…any adult (or child for that matter) with even a half developed brain will find this book ambigious, dull and even a small insulting…on the upside it reads quickly and the tedious pain is over quickly.
Reader’s Rating: 2 / 5
We all know that reading a book should be something to look forwards to. If you�re reading �The Small Prince,� all that you want to do as a replacement for, is run away and scream of terror. Yes�it�s truly that terrible. Don�t belive me�then by all means, crack it open and read a few pages�you�ll see.
When this horrid book starts, it�s the narrarator, a grown-up pilot, is talking to the small freak child that claims that he�s �The Small Prince.� They have a really dull converstation on Planet. Then, the prince goes back to his �planet.� Personally, I reflect that this kid�s mentally disturbed, seeing as how he talks to flowers�and the flowers supposedly talk back. All that he does all day is rake out his mini-volcccanoes and stare at the sunset.
Then he goes out to seek additional people�finally! He meets, a drunkard, businessman, geographer, a �King�, snake, more flowers, and a few additional wierdos.
He was hoping to meet more imaginative people, but as a replacement for, all of these people were either stiffs or losers. The Small Prince decides that he doesn�t want to grow up to be like them. He makes a choice that may have been too dramatic. He kills himself. Now really, would small kids actuallly choose on their own to kill themselves?
I ranked this book as I did (with one star), because I despised it. It had poor grammar, an un-appealing plot, and when you read it, you don�t get to know the characters in depth.
The Small Prince is a boy that lives all by himself on a random planet. On this planet, he has only a few things: a flower, three volcanoes (one non-active), and a rake. He enjoys having conversations with flowers, raking out the volcanoes, and staring at the sunsets.
I can see that the leader was trying to go for a �poetic� and �imaginative� protagonist, but when it all came across, he was described as a name that should be locked up in the phsych-ward. What makes this character unique is that I�ve never read a book where the main character commits suicide. He was a drama �king� and I establish that as to some extent intreguing.
Though all of the scenes in the book break it, there are a point two. One of these scenes, are when the small prince is talking to the narrorator in the beginning of the book. They were talking about things that had absolutely no effect on the book. Another scene would be when the small prince was having a �conversation� with the snake. This�once again had nothing to do with the plot or the developing of the characer. Persons were just two of the copious stupid things in the book.
Now, why read a book with no voice, plott, or thrilling parts. Sound pointless? Well, it is. The type of reader that�s recommended for this book is a bone idle person that�s just trying to find a quick-read for a book report. I fervently recommend not reading this sickening book. BEWARE.
Reader’s Rating: 1 / 5
This books is just not my type of book. I did not really get anything from this book because I have to go over the descriptions before I can know it. Anyways, this book tells the grown ups all over the world that they can still use their imaginations even though they have matured and have a job. This is some relations I heard from Einstein. Einstein said that Imaginations are more vital than knowledge because Imagination makes knowledge. This book made me read it even though I wasn’t very interested to it because it makes me reflect deeply of some words that are hard to know and while I read the book, it reminded me of my childhood because I use to use my imaginations, ofcourse, probably all the kids use their imaginations. Now that I have grown, I forgot about imagining because I’ve grown up a lot. Just like in the book, when the small prince was growing up, he is losing his imaginations.
Reader’s Rating: 2 / 5
This is the worst book i have ever read! It is confusing! It is silly! it is WIERD! This is because its about a lunatic small kid (the small prince) who can talk to a flower on his planet. The flower talks back and says she wants a glass case. Then the small prince trys to find one but he goes to all these additional planets where “greedy” grown ups are! the small prince decides greed is terrible and despises the planets he lives by! So he kills himself. Then in his so called after life he is in his planet with his flower again. Pleased pleased the end!
Reader’s Rating: 1 / 5