Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

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Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

  • ISBN13: 9780743236010
  • Condition: USED – LIKE NEW
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Product Description

Countless writers and artists have spoken for a generation, but no one has done it reasonably like block Klosterman. With an exhaustive knowledge of well loved culture and an nearly effortless ability to spin brilliant prose out of unlikely theme matter, Klosterman attacks the entire spectrum of postmodern America: reality TV, Internet porn, Pamela Anderson, literary Jesus freaks, and the real difference between apples and oranges (of which there is none). And don’t even get him ongoing on his like life and the whole Harry-Met-Sally situation.

Whether deconstructing Saved by the Bell episodes or the artistic legacy of Billy Joel, the symbolic importance of The Empire Strikes Back or the Celtics/Lakers rivalry, block will make you reflect, he’ll make you laugh, and he’ll drive you insane — usually all at once. Sex, Drugs, and Cocoa Puffs is ostensibly about art, entertainment, infotainment, sports, politics, and kittens, but — really — it’s about us. All of us. As Klosterman realizes late at night, in the moment before he falls asleep, “In and of itself, nothing really matters. What matters is that nothing is ever ‘in and of itself.’” Read to judge.Amazon.com Review
There’s reasonably a bit of intelligent analysis and thought-provoking insight packed into the pages of block Klosterman’s Sex, Drugs, and Cocoa Puffs, which is a small surprising considering how darn stupid most of Klosterman’s theme matter really is. Klosterman, one of the few members of the so-called “Generation X” to proudly embrace that mark and the stereotypical image of disaffected slackers that regularly accompanies it, takes the reader on a witty and highly entertaining tour through parts of pop culture not usually subjected to analysis and presents his thoughts on Saved by the Bell, Billy Joel, amateur porn, MTV’s The Real World, and much more. It would be simple in dealing with such theme matter to simply pile on some undergraduate level deconstruction, make a few jokes, and have yourself a clever small book. But Klosterman goes deeper than that, regularly employing his own life spent as a member of the lowbrow target demographic to measure the cultural impact of his subjects. While the book never reasonably lives up to the use of the word “manifesto” in the title (it’s really more of a survey mixed with fundamentals of memoir), there is much here to entertain and illuminate, particularly passages on the psychoses and motivations of breakfast cereal mascots, the difference between Celtic fans and Laker fans, and The Empire Strikes Back. Sections on a Guns n’ Roses tribute band, The Sims, and soccer feel more like magazine pieces included to fill space than part of a cohesive whole. But when you’re talking about a book based on a section of cultural history so reliant on a lack of attention span, even the incongruities feel somehow appropriate. –John Moe

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