Middlesex

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Middlesex

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‘I was born twice: first, as a baby girl, on a remarkably smogless Detroit day of January 1960; and then again, as a teenage boy, in an urgent situation room near Petoskey, Michigan, in August of l974. My birth certificate lists my name as Calliope Helen Stephanides. My most recent driver’s license records my first name simply as Cal.’ So starts the breathtaking tale of Calliope Stephanides, and three generations of the Greek-American Stephanides family tree who travel from a tiny village overlooking Mount Olympus in Asia Minor to Prohibition era Detroit, witnessing its glory days as the Motor City, and the race riots of l967, before they go out to the tree-lined streets of suburban Grosse Point, Michigan. To know why Calliope is not like additional girls, she has to uncover a guilty family tree secret, and the astonishing genetic history that turns Callie into Cal, one of the most audacious and wondrous narrators in contemporary fiction. Lyrical and thrilling, “Middlesex” is an exhilarating reinvention of the American epic.Amazon.com Review
“I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an urgent situation room near Petoskey, Michigan, in August of 1974.” And so starts Middlesex, the mesmerizing saga of a near-mythic Greek American family tree and the “roller-coaster ride of a single gene through time.” The odd but utterly believable tale of Cal Stephanides, and how this 41-year-ancient hermaphrodite was raised as Calliope, is at the tender heart of this long-awaited second novel from Jeffrey Eugenides, whose elegant and haunting 1993 debut, The Virgin Suicides, remains one of the finest first novels of recent memory.

Eugenides weaves together a kaleidoscopic narrative spanning 80 years of a stained family tree history, from a fateful incestuous union in a tiny town in early 1920s Asia Minor to Prohibition-era Detroit; from the early days of Ford Motors to the heated 1967 race riots; from the tony suburbs of Grosse Pointe and a confusing, aching adolescent like tale to modern-day Berlin. Eugenides’s mandate of the narrative is astonishing. He balances Cal/Callie’s shifting voices convincingly, spinning this weird and regularly unsettling tale with intelligence, insight, and generous amounts of humor:

Emotions, in my experience aren’t covered by single words. I don’t judge in “sadness,” “joy,” or “regret.” … I’d like to have at my disposal intricate hybrid emotions, Germanic traincar constructions like, say, “the happiness that attends disaster.” Or: “the disappointment of sleeping with one’s fantasy.” … I’d like to have a word for “the sadness inspired by failing restaurants” as well as for “the excitement of getting a room with a minibar.” I’ve never had the right words to clarify my life, and now that I’ve entered my tale, I need them more than ever.

When you get to the end of this splendorous book, when you suddenly realize that after hundreds of pages you have only a few more left to turn over, you’ll experience a quick pang of regret knowing that your time with Cal is coming to a close, and you may even resist finishing it–putting it aside for an hour or two, or maybe overnight–just so that this wondrous, magical novel might never end. –Brad Thomas Parsons

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