Master Shots: 100 Advanced Camera Techniques to Get an Expensive Look on Your Low-Budget Movie
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- ISBN13: 9781932907513
- Condition: NEW
- Notes: Brand New from Publisher. No Remainder Mark.
Product Description
Master Shots gives filmmakers the techniques they need to do complex, original shots on any budget. By using powerful master shots and well-executed moves, directors can renovate a strong style and stand out from the crowd. Most low-budget movies look low-budget because the director is forced to compromise at the last minute. Master Shots gives you so many powerful techniques that youll be able to respond, even under pressure, and make knock-out shots. Even when the clock is ticking and the light is fading, the techniques in this book can rescue your film and make every shot look like it cost a chance. Each technique is illustrated with samples from fantastic feature films and computer-generated diagrams for absolute clarity.
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As a effective director who has shot hundreds of hours of movies and tv, I would term this another of the mass of books written by people who don’t really have the power to teach.
Simple minded and yet confusing, best used as a door stop.
Reader’s Rating: 1 / 5
I ordered this book for a teaching aide in filmmaking, as my son who is 15 has a DVX100b & want to “tweak” his filming skills before continuing in this area when he starts college.
While I establish this book, tutorial, if you may, simple to follow & well laid out in the format used to convey the information, I was a bit taken back by the really unnecessary nude parts whilst showing the best way to film couples in romantic situations!
While we all realize that depending on the rating you are going for, the option of just how much clothing will vary for your point type of film, this “INSTRUCTION” book really blew it here! The nudity was soooooo unneeded & detracted, not added to the content! Really now!
People buying this did NOT buy it for an erotic, titillating book, but for INSTRUCTIONS on how to improve their shooting techniques!!
Based on this I cannot recommend this book wholeheartedly unless you want to do some creative editing yourself FIRST, before adding it to your course of study in filming!
I realize this may not be an issue to many people, I just would have liked it if I had this info revealed to me BEFORE selecting this book for my teenage son! BTW, he’s the one who handed it back to me complaining about it & questioned me to clean it up FIRST, then he would look it over!
IF the leader reads this review…I just wanted to mention that there are MANY more people who would have LOVED this book & recommended it to their heap of like minded friends, IF you (& others who produce similar informative, appealing books) would just not add unnecessary offensive material to their stuff! It does NOT expand your market, it only narrows it considerably! I say this as constructive criticism as I really liked your book, additional than what I stated above! Hope this is received in the spirit in which it is agreed & helps others learn if this is for them!
Reader’s Rating: 3 / 5
Normally, I don’t stomach these kinds of books that tell you exactly how you should and shouldn’t do things but this book is excellent in that it leaves the thoughts open open to at least some kind of improvisation by the reader. It gives you many examples to work with and I reflect its reasonably a excellent selection of shots and shot techniques that are showed here. The book uses a wide range of films to demonstrate these shots and also uses what looks like 3D computer renderings as well as simple diagrams. In all honesty, I establish the film shots and diagrams to work a small better than the 3D renderings being that the renderings just didn’t get the thought across in more than a couple of instances. I was already familiar with the films used as examples for the shot selections so I reflect even just with persons and the accompanying diagrams, the book would work just fine. This would work really well as an on set reference guide for film students. To be honest, I don’t really see anyone who has watched a honest amount of movies needing this for more than a quick refresher.
Reader’s Rating: 4 / 5
Master Shots (MS) is a “must have” for any novice looking to make their own films in hopes of breaking into the industry.
Forget about reading, MS is a heavily detailed “how-to” guide, with information ranging from camera placement, best angles, best camera motion to selecting the right lense for use with a agreed scene/emotion.
Each thought is sampled with storyboards that detail out the scene (usually from an existing Hollywood blockbuster — kind-of a how’d they do that type of thing), be it horror, like, sex or action and shows how the pros do it to acheive the best cinematic experience.
I addition to all of the information that is detailed out in MS, It’ll also serve as an “thought generator” too, perhaps giving some insight into an thought or technique you’d never thought of.
MS proves to be a fantastic source of information for persons looking to achieve that “hollywood” effect or persons who have ever wondered: How’d they do that?
One quick side-note is that there is some nudity when covering the like/sex scenes.
Reader’s Rating: 4 / 5
This book is targeted for filmmakers but it could be useful for the additional visual arts as well. Of course the primary use is to help beginning filmmakers make movies with a more professional look, and for the more veteran industry pros as a quick reference. There is certainly cross-fertilization between the movies and graphic novels. Movies have been taking on the look of graphic novels, anime, and manga for a couple of decades now. Now by using this book there is a chance for artists effective on graphic novels and manga to learn from the movies. And the same goes for the fine arts.
The copy I reviewed for Vine is a pre-relief copy, an uncorrected galley for review, so I set aside comments on grammatical errors, etc. The book is designed for quick reference, with a selection of solutions for fight scenes (8 shots, from the first punch to the moment of defeat); chase scenes (10 shots, moving through various kinds of locations to the final grab); entrances and exits (8 shots of people, transitions and places); suspense, searching & creeping (9 shots making a mood of anticipation); dramatic shift (9 shots showing changes in emotional states); revelations & discoveries (9 shots); shock horror (9 shots for scaring the viewer); directing attention (7 shots to make the viewer look at something specifically); car scenes (7 shots for shooting guns and conversations); dialogue scenes (9 shots to keep talking heads appealing); opinion & conflict (8 shots); and like & sex scenes (8 shots, from eye contact to intimate action, ’nuff said).
The format is very usable. There are generally three types of illustrations used for each shot: 1) an example of the shot from an actual movie, 2) a diagram showing the placement of characters, camera, and arrows showing the movements of the camera and characters, and 3) what the camera sees in the shot.
Though the book is a gem, there are a couple of things that could be better, which is why I give it four stars as a replacement for of five. I personally find Poser-based illustrations annoying. I like playing with Poser, but computer-generated anatomy is dissonant, jarring and off-putting on some level; everything looks like a video game. I would prefer freehand sketches showing the placements of characters. Also, the actual movies used as examples are not permanently identified, and they should be.
But, this book is an brilliant shorthand reference tool that should be on the shelves of graphic and fine artists as well as moviemakers. The publishers should take note of this marketing opportunity to expand the audience for this book.
Reader’s Rating: 4 / 5