Literature & Fiction

Last Night in Twisted River: A Novel

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• ISBN13: 9780345479730
• Condition: New
• Notes: BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

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In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, an nervous twelve-year-ancient boy mistakes the local constable’s girlfriend for a bear. Both the twelve-year-ancient and his father become fugitives, forced to run from Coos County—to Boston, to southern Vermont, to Toronto—pursued by the implacable constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them. In a tale spanning five decades, Last Night in Twisted River depicts the recent half-century in the United States as “a living replica of Coos County, where lethal hatreds were generally permitted to run their course.” What further distinguishes Last Night in Twisted River is the leader’s particular voice—the unique voice of an accomplished storyteller.Amazon.com Review
Amazon Best of the Month, October 2009: A long, tasty trip to the land of Irving is hands-down the best way to start the month of October. A trio of tragic events (though the prize for most hell-shocking goes to the third) exiles widower and camp cook Dominic Baciagalupo and his son Danny from a mid-century logging station called Twisted River. They place behind the Bunyan-esque lumberjack Ketchum–a gruff, eccentric, dyed-in-the-wool Yankee–who remains their sole tie to the past. What’s next neither father nor son knows: their rootless being moves swiftly in and out of New England, tied ostensibly to jobs for Dominic and schools for Danny, but it seems one foot is permanently back in persons New Hampshire woods. Theirs is a restless, richly experimental journey, crowned by a reckoning no one could predict. Few writers can match John Irving’s knack for denouement, and in Last Night in Twisted River, his extraordinary ending is made all the more powerful by a tale that feasts on language, life, and like. –Anne Bartholomew

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Shadow Over Kiriath

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• ISBN13: 9780764227967
• Condition: New
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Legends of the Guardian King Book 3- Karen Hancock has made a gorgeous and powerful fantasy series that continues to win new readers and remind them of who holds their hopes and victories in His hands. In Abramm’s world, God is close to his followers, evil takes many forms, and one must judge in the light to see the darkness. While Abramm’s coronation is still underway, rival leaders are already plotting their return to power.Worse yet, as the hour approaches for Abramm’s marriage to the Chesedhan crown princess—required to seal the desperately needed alliance between their two countries—he finds himself deeply attracted to her younger sister. Will Eidon give Abramm essential victory, or will his enemies make it in destroying him and his beloved realm?

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The Other Daughter

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What you don’t know can kill you.

In Texas a serial killer is executed, taking to his grave the identity of his only child.

In Boston a nine-year-ancient girl is abandoned in a hospital, then adopted by a wealthy young couple.

Twenty years later, Melanie Stokes still considers herself lucky. Until…

Until the terrifying visions start.

Until a has-been reporter starts investigating her past.

Until the first note arrives adage YOU GET WHAT YOU DESERVE.

Melanie had lost all memory of her life before the adoption, and now a name wants to give it back. Even if it includes the darkest nightmare the Stokes family tree ever faced: the murder of their first daughter in Texas. As Melanie pursues every lead, chases every shadow in the search for her real identity, two seemingly unrelated events from twenty years ago will come together in a treacherous explosion of truth. And with her very life at stake, Melanie will dread that the family tree she likes the most may be the people she should trust the least.

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Tumor Chapter 1

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Frank Armstrong has an inoperable brain tumor that-s killing him. In his final days, with his body, senses, and mind failing him, he-s going to do the one thing that he-s never been able to do before- save the girl.

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The Kitchen House: A Novel

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• ISBN13: 9781439153666
• Condition: New
• Notes: BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

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This stunning debut novel set in the antebellum South, is a tragic tale of page-turning suspense, exploring the meaning of family tree, where like and loyalty prevail.

Orphaned while onboard a ship from Ireland, seven-year-ancient Lavinia arrives on the steps of a tobacco plantation where she is to live and work with the slaves of the kitchen house. Under the care of Belle, the master’s illegitimate daughter, Lavinia deeply bonds with her adopted family tree, though she is set apart from them by her white skin. Eventually, Lavinia is accepted into the world of the huge house and she finds herself worryingly straddling two very different worlds. When she is forced to make a choice, loyalties are brought into question, treacherous truths are laid bare, and lives are place at risk.Amazon.com Review
When a white servant girl violates the order of plantation society, she unleashes a tragedy that exposes the worst and best in the people she has come to call her family tree.

Orphaned while onboard ship from Ireland, seven-year-ancient Lavinia arrives on the steps of a tobacco plantation where she is to live and work with the slaves of the kitchen house. Under the care of Belle, the master’s illegitimate daughter, Lavinia becomes deeply bonded to her adopted family tree, though she is set apart from them by her white skin.

Eventually, Lavinia is accepted into the world of the huge house, where the master is absent and the mistress battles opium addiction. Lavinia finds herself worryingly straddling two very different worlds. When she is forced to make a choice, loyalties are brought into question, treacherous truths are laid bare, and lives are place at risk.

The Kitchen House is a tragic tale of page-turning suspense, exploring the meaning of family tree, where like and loyalty prevail.

Explore the reading group guide for The Kitchen House.

A Conversation with Leader Kathleen Grissom

Q: What information surprised you while doing research on white indentured servants?

A: When I first started my research I was astonished to learn the fantastic numbers of Irish that were brought over as indentured servants. Then, when I saw advertisements for run off Irish indentured servants, I realized that some of them, too, must have suffered under intolerable conditions.

Q: Why did you chose not to go into detail about some of the most dramatic plot points in the novel, for example, the death of Waters or the abuse of young Marshall?

A: For the most part, Lavinia and Belle dictated the tale to me. From the beginning, it became reasonably clear that if I tried to embroider or change their tale, their narration would stop. When I withdrew, the tale would continue. Their voices were reasonably distinct. Belle, who permanently felt grounded to me, certainly did not hold back with description, particularly of the rape. Lavinia, on the additional hand, felt less stable, less able to cope; and at times it felt as though she was scarcely able to tell her horror.

Q: It is appealing that your novel has two narrators–Lavinia and Belle. Do you have any plans to continue the tale into the next generation–perhaps from the perspectives of Jaime and Elly?

A: In 1830, Jamie is a well-respected ornithologist in Philadelphia and Sukey is enslaved by the Cherokee Indians in North Carolina. Theirs are the two voices I hear. In time I will know if I am meant to tell their tale. Presently I am writing Crow Mary, another work of past fiction. A few years ago I was visiting Fort Walsh in the Cypress Hills of Saskatchewan. As I listened to an interpreter tell of Mary, who, in 1872, at the age of sixteen, was traded in marriage to a well-known fur trader, a familiar deep chill went thorough me. I knew then that I would return to write about this Crow woman. Some of her complex life is documented, and what fascinates me are her acts of bravery, equal, in my estimation, to persons of Mama Mae.

Q: This is your first novel after diverse careers in retail, agriculture, and the arts. How have each of these experiences contributed to your writing style?

A: I don’t know that any endeavor specifically contributed to my writing style, but I do know that every phase of my life helped prepare me to write this book.

Q: The dialogue of the slaves in this novel is very believable. It must have been a hard thing to achieve. How did you go about making authentic voices from two hundred years ago?

A: At the very beginning of my research I read two books of slave narratives: Bullwhip Days: The Slaves Remember and Weevils in the Wheat: Interviews with Virginia Ex-Slaves. Soon after, the voices from The Kitchen House started to come to me. My original draft included such heavy dialect that it made the tale very hard to read. In time I modified the style so the tale could be more easily read.

Q: You said you wrote the prologue in one sitting after being inspired by a map you establish while renovating an ancient plantation tavern. Since this is your first novel, do you reflect you were “guided” by residents of the past?

A: Not only do I feel I was guided but also that I was gifted with their trust. But, I am not alone in this. In Alice Walker’s book The Color Purple, she writes: “I thank everybody in this book for coming. A.W., leader and medium.” Unless I misread that, I’d say, in this experience, I’m in excellent company.

Q: Your book has been described as “Gone with the Wind turned upside down.” Are you a fan of Margaret Mitchell’s novel? Which writers have inspired you through the years?

A: I have only recently read Gone with the Wind. Although I did delight in it, a few of the writers that have truly inspired me are Robert Morgan, Alice Randall, Susan Fromberg Schaeffer, Edward P. Jones, Nuala O’Faolain, Alexandra Fuller, Susan Howatch, Rick Bragg, Breena Clarke, Beryl Markham, Alice Walker, Joan Didion . . . this list could go on forever. I like to read.

Q: There are many characters in this novel. How did you go about choosing their names?

A: They were all taken from different lists of slaves that I establish in my research.

Q: What advice do you have for writers effective on their first novels?

A: If you feel called to write a book, consider it a gift. Look around you. What help is the universe offering you as support? I was agreed an incredible mentor, a poet, Eleanor Drewry Dolan, who taught me the importance of every word. To my utter amazement, there were times she establish it necessary to consult three dictionaries to evaluate one word! Take the time you need to learn the craft. Then sit down and write. When you hand over your concluded manuscript to a trusted reader, keep an open mind. Edit, edit, and edit again. And, of course, never give up! Q: At times in the novel, you can nearly smell the hearty foods being prepared by Mama and others. In your research, did you find any point notes or recipes from kitchen houses that you can share with your readers?

A: In 1737, William Byrd, founder of Richmond, wrote of the many types of fruits and vegetables available in Virginia. Watermelons, pumpkins, squashes, cucumbers, artichokes, asparagus, green beans, and cauliflower were all being cultivated. I learned that many of these were preserved by pickling. For persons interested in how this was done and for recipes from that time, an brilliant resource is Martha Washington’s Booke of Cookery and Booke of Sweetmeats, transcribed by Karen Hess.
While in Williamsburg, I watched re enactors heat beef over a spit in a kitchen fireplace. Tiny potatoes in a pan beneath the meat were browning in the drippings, and I cannot tell you how I longed for a taste. That was my inspiration for the Christmas meal. For basics, such as the chicken soup, I built a recipe around what I knew would have been available for use in the kitchen house at that time.
Whenever Belle baked a molasses cake, I craved a taste. I did try several ancient recipes that I establish, but I was unsatisfied with the results. So, using the ancient recipes as a baseline, my daughter, Erin, and I made our own version of a simple yet moist and tasty molasses cake. I am pleased to share it with the readers:

Simple Molasses Cake
½ cup butter
1/3 cup packed brown sugar
1 egg
½ cup milk
1 cup molasses
2 cups flour
1 teaspoon baking soda
1 teaspoon ground ginger
1 teaspoon cinnamon
2 dashes ground cloves
¼ teaspoon salt

Preheat the oven to 350 degrees. Grease an 8-inchsquare baking pan. In a large bowl, cream the butter and sugar. Beat in the egg. In a separate bowl, combine the milk and the molasses. In another bowl, combine the flour, baking soda, ginger, cinnamon, cloves, and salt. Add each of these alternately to the butter mixture, beating well between additions. Spoon batter into the prepared pan. Bake for approximately 45 minutes, or until a toothpick comes out clean.

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Dubliners

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This is a perfectly-designed edition of James Joyce’s classic DUBLINERS. Perfect and Unabridged.

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Some Girls Bite: A Chicagoland Vampires Novel

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First in a groundbreaking new series about a Chicago graduate student’s introduction into a society of vampires.

Sure, the life of a graduate student wasn’t exactly glamorous, but it was Merit’s. She was doing fine until a rogue vampire attacked her. But he only got a sip before he was frightened away by another bloodsucker—and this one chose the best way to save her life was to make her the walking undead.

Turns out her savior was the master vampire of Cadogan House. Now she’s traded sweating over her thesis for learning to fit in at a Hyde Park mansion full of vamps loyal to Ethan “Lord o’ the Manor” Sullivan. Of course, as a tall, green-eyed, four-hundred- year-ancient vampire, he has centuries’ worth of charm, but sorry to say he expects her gratitude— and servitude. But an inconvenient sunlight allergy and Ethan’s attitude are the least of her concerns. A name’s still out to get her. Her initiation into Chicago’s nightlife may be the first skirmish in a war—and there will be blood.

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The Doomsday Key

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• ISBN13: 9780061231414
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At Princeton University, a famed geneticist dies inside a biohazard lab. In Rome, a Vatican archaeologist is establish dead in St. Peter’s Basilica. In Africa, a U.S. senator’s son is killer outside a Red Cross camp.

Three murder victims on three continents, linked by a pagan Druidic cross burned into their flesh.

Commander Gray Pierce and Sigma Force have only days to solve an apocalyptic puzzle dating back centuries. Aided by two women from his past—one his ex-lover, the additional his new partner—Gray must uncover a horrifying secret that threatens America and the world, even if it means sacrificing the life of one of the women at his side. The race is on—from the Roman Coliseum to the icy peaks of Norway to the lost tombs of Celtic kings—and the future hangs in the balance. For humankind’s essential nightmare is locked within a talisman buried by a dead saint—an very ancient manufactured article known as . . . The Doomsday Key

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The Tourist

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One Hundred Years of Solitude

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One Hundred Years of Solitude tells the tale of the rise and fall, birth and death of the mythical town of Macondo through the history of the Buendía family tree. Inventive, amusing, magnetic, sad, and alive with unforgettable men and women — brimming with truth, compassion, and a lyrical magic that strikes the soul — this novel is a masterpiece in the art of fiction.

Amazon.com Review
“Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to learn ice.”

It is predictable of Gabriel García Márquez that it will be many pages before his narrative circles back to the ice, and many chapters before the hero of One Hundred Years of Solitude, Buendía, stands before the firing squad. In between, he recounts such wonders as an entire town struck with insomnia, a woman who ascends to heaven while hanging laundry, and a suicide that defies the laws of physics:

A trickle of blood came out under the door, crossed the living room, went out into the street, nonstop on in a straight line across the uneven terraces, went down steps and climbed over curbs, passed along the Street of the Turks, turned a confront to the right and another to the left, made a right angle at the Buendía house, went in under the clogged door, crossed through the parlor, hugging the walls so as not to stain the rugs, went on to the additional living room, made a wide curve to avoid the dining-room table, went along the porch with the begonias, and passed lacking being seen under Amaranta’s chair as she gave an arithmetic lesson to Aureliano José, and went through the pantry and came out in the kitchen, where Úrsula was getting ready to crack thirty-six eggs to make bread.
“Holy Mother of God!” Úrsula shouted.

The tale follows 100 years in the life of Macondo, a village founded by José Arcadio Buendía and occupied by descendants all sporting variations on their progenitor’s name: his sons, José Arcadio and Aureliano, and grandsons, Aureliano José, Aureliano Segundo, and José Arcadio Segundo. Then there are the women–the two Úrsulas, a handful of Remedios, Fernanda, and Pilar–who struggle to remain grounded even as their menfolk erect castles in the air. If it is possible for a novel to be highly comic and deeply tragic at the same time, then One Hundred Years of Solitude does the trick. Civil war rages throughout, hearts break, dreams shatter, and lives are lost, yet the effect is literary pentimento, with sorrow’s outlines bleeding through the vibrant colors of García Márquez’s magical realism. Consider, for example, the ghost of Prudencio Aguilar, whom José Arcadio Buendía has killed in a fight. So lonely is the man’s shade that it haunts Buendía’s house, searching nervously for water with which to clean its wound. Buendía’s wife, Úrsula, is so stirred that “the next time she saw the dead man uncovering the pots on the oven she understood what he was looking for, and from then on she placed water jugs all about the house.”

With One Hundred Years of Solitude Gabriel García Márquez introduced Latin American literature to a world-wide readership. Translated into more than two dozen languages, his brilliant novel of like and loss in Macondo stands at the apex of 20th-century literature. –Alix Wilber

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